Gillian Lander's Homepages
SCROLL DOWN FOR A VARIED READ. Miracle of Modern surgery, musicology research etc.
A serious online art gallery, family history, church music, choirs, organ music, art, stray opinions, wild places, books, ideas, wit and stupidity..... a miscellany of things I love or seem to get involved in.
Updated : April 2009
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AMBROSIA is not on these pages. A separate domain name coming. GO HERE meantime
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Ex-Cathedra
(the church in its death agony)
The Desert Fathers used to pray "Good Lord protect us from Bishops and The City."
Recycled-
This is a wonderful story for those of us who will lose or have lost a string or two along our way...
On Nov. 18, 1995, Itzhak Perlman, the violinist, came on stage to give a concert at Avery Fisher Hall at Lincoln Center in New York City . If you have ever been to a Perlman concert, you know that getting on stage is no small achievement for him. He was stricken with polio as a child, and so he has braces on both legs and walks with the aid of two crutches. To see him walk across the stage one step at a time, painfully and slowly, is an awesome sight.
He walks painfully, yet majestically, until he reaches his chair. Then he sits down, slowly, puts his crutches on the floor, undoes the clasps on his legs, tucks one foot back and extends the other foot forward. Then he bends down and picks up the violin, puts it under his chin, nods to the conductor and proceeds to play.
By now, the audience is used to this ritual. They sit quietly while he makes his way across the stage to his chair. They remain reverently silent while he undoes the clasps on his legs. They wait until he is ready to play. But this time, something went wrong. Just as he finished the first few bars, one of the strings on his violin broke. You could hear it snap - it went off like gunfire across the room. There was no mistaking what that sound meant. There was no mistaking what he had to do. We figured that he would have to get up, put on the clasps again, pick up the crutches and limp his way off stage - to either find another violin or else find another string for this one. But he didn't.
Instead, he waited a moment, closed his eyes and then signaled the conductor to begin again. The orchestra began, and he played from where he had left off. And he played with such passion and such power and such purity as they had never heard before Of course, anyone knows that it is impossible to play a symphonic work with just three strings. I know that, and you know that, but that night Itzhak Perlman refused to accept that.
SWINE FLU REACHES A.A. MILNE
You could see him modulating, changing, re- composing the piece in his head. At one point, it sounded like he was de-tuning the strings to get new sounds from them that they had never made before. When he finished, there was an awesome silence in the room. Then suddenly people rose and cheered.
There was an extraordinary outburst of applause from every corner of the auditorium. We were all on our feet, screaming and cheering, doing everything we could to show how much we appreciated what he had done
He smiled, wiped the sweat from this brow, raised his bow to quiet us, and then he said not boastfully, but in a quiet, pensive, reverent tone . .
" You know, sometimes it is the artist's task to find out how much music you can still make with what you have left".......
IMPORTANT-A MUST-READ - (all over the web) Pianist, Karl Paulnack at Boston Conservatory understands the role of music ! PDF HERE
Choir My Music Heritage of Christian Music My Galleryspace Genealogical Lander Explorers Familyspace Home
http://www.blupete.com/Literature/Poetry/ColeridgeRime.htm
Ooo-ooh Dear ! WHO SHOT THE ALBATROSS?
Not a good idea to kill these omens of good fortune. Terrible things happen. Lots of Bad Karma ! Trouble sleeping. Who has to keep coming back here to check? Who is wearing the stinking albatross ?
Instead of the cross, the Albatross
About my neck was hung.
Read some of the best lines from Coleridge's 'Rime of the Ancient Mariner' through the link above or the full poem >> HERE
Life in Waterloo Quadrant...
2009: Research in Musicology & extended essay on JSB St Matthew Passion - Reception History in NZ. Neumes and Square notation, and Medieval Musical History, Style & Analysis - essay on Gregorian Hymns Introits and Graduals.
2010: Musical palaeography, and Special study - Guido d'Arezzo & Boethius' Medieval manuscripts in Alexander Turnbull and Dissertation - A Survey of Medieval Hymnody
2011: Thesis on Transcription of Fourteen Indigenous Anglo-Saxon Hymn Melodies. plainsong in unstaved neumes in British Library, London - MMus or more
Its getting way too serious here!
A Night Out With The Boys
The other night I was invited out for a night with “the boys”. I told my wife that I would be home by midnight…. Promise ! Well, the hours passed and the beer was going down way too easy.
At around 3am, drunk as a skunk, I headed for home.
Just as I got in the door, the cuckoo clock in the hall started up and cuckooed 3 times.
Quickly, I realized she'd probably wake up, so I cuckooed another 9 times. I was really proud of myself, having a quick witty solution, even when smashed, to escape a possible conflict.
The next morning my wife asked me what time I got in, and I told her 12 o'clock. She didn't seem disturbed at all. Whew! Got away with that !
She then told me that we needed a new cuckoo clock. When I asked her why, she said, “Well, last night our clock cuckooed three times, then said ‘oh fuck,' cuckooed 4 more times, cleared its throat, cuckooed another 3 times, giggled, cuckooed twice more, and then farted.”
Choir My Music Heritage of Christian Music My Galleryspace Genealogical Lander Explorers Familyspace Home
See below - re Aggressive Fibromatosis aka Desmoid Tumour & surgery Miracle of modern surgery
Dunstable research - 15th century music and related issues
Intercessions
Kittens this age !
To the Powerful Women in my Life
Keep the Faith....! Live your life in such a way that when your feet hit the floor in the morning, Satan shudders and says…
'Oh Shit…She's Awake !'Mind you, discernment takes courage, and can be rough. Too many would rather play blind / dumb / dead / safe.
THE ADVENTURES OF A NEW BLUE MERC
For sale. Very low mileage. Only runs in low gear, forward and reverse - the latter at speed. WOF and Rego OK. Wot offers? (This was a real Irish advert)
But don't you think the getaway was a bit rude and insulting?
THE DESMOID TUMOUR RESEARCH FOUNDATION NEEDS SUPPORT>>> HERE ________________________________
These are extremely rare tumours that are outside the scope of usual cancer research.
I HAVE A PUZZLE
With the prospect of editing some early music in view I am doing a little preliminary research. It has taken me to the Rolls Series, "Rerum Britanicarum Medii Aevi Scriptores" now courtesy of Princeton University who have put these early texts online. This might be an important passage for me in due course. It may tell us more about the music there that can be useful to my editing. So, if perchance you have a worthwhile contribution I would be glad to hear from you! There are gaps quite insoluble. I have not yet finished my attempt at translation. And I am not an expert Latinist !
Below is the extract from the "Rolls Series" available now from the Public Records Office in London - material from the Rolls of the Middle Ages.
It is reputedly by Thomas of Elmham, (or his companion) a monk of St Augustine's monastery, and chaplain to Henry V at Agincourt. Or it was intended for his history of the St Augustine Monastery at Canterbury which he completed only as far as 800, hence the rough Latin draft by someone of the contemporary account - possibly written from recollections about 1435.
It accounts for the music used in Canterbury Cathedral as the monastic chapel for St Augustine's Monastery nearby, A medieval serivice sheet. In 1416, after Agincourt, the Holy Roman Emperor Sigismund met for some time with Henry V at Canterbury to sign the Treaty of Canterbury, forming an alliance between the two against France.
________________________________________
At issue, the three popes to be deposed, (at the Council of Constance 1414-18 ) and lands of France, and matters of religion. Just what were Henry's views? And also Chichelle's?
The monk-writer has musical interest and services may have showcased works by Dunstable as the flower of English talent of the day. Names of works correspond to his. The writer may even have been a monk singing "in choir".
Easter must have been late that year as Ascension, Pentecost, Trinity and St John the Baptist are all within weeks of this conference in mid-summer. Funny, there is no reference to Becket, as Henry V made many pilgrimages to Canterbury. But there is mention of St Edward and St George - Chichele had just made St George patron saint of England in 1415 in lieu of St Edward the Confessor. And they fought and won in the Somme (aka Agincourt) under his cross of red banner.
Whatever, a good time was had of the visit to England - a fine summer in the south, time at Windsor (? hunting deer) and an opinion formed of fine musicianship and churchmanship in England, as the Emperor and entourage departed for Calais via Dover.
The original probably looks like the text (two) below, by Henry VI. Translation has defied many over six centuries, and for sure I'm no better Latinist. What are the problems?
1. The writer is being deliberately obscure for some reason. Parts of words fit across several lines. (Perhaps there is a monkish idea of virtue in anonymity but in admiring Dunstable he just had to name him crypticly.)
NO ! - LIGHT has dawned on this one. He is deliberately writing using musical compositional tools like hocketing, talea, or cantus firmus. Of course, he had no vocabulary as we do today for the nascent polyphonic style. No way of describing voice leading and part writing, so he's doing it with words. Clever !
2. He uses abbreviations and contractions.
3. Letter formation is confusing and inaccurate. Hence my trialling it in Old English script. Note several letters can still be mis-read in this exact modern font. s/a/e, n/u, i/r, g/s.... and no doubt the years have faded some letters in the original.
4. There is monastic terminology not generally known by non-church musicians, relating to the calendar, Liber Usualis and Breviary.
5. Sometimes he just cant spell!
6. He seems to be jotting notes, rather than writing full sentences.
7. Sometimes the copyist at the Rolls can't figure out letters, so there are compounded errors.
I get the feeling that this is more a "monastery" event than cathedral. A high point in their history. St Augustine's monastery is now in ruins. Henry V and Sigismund would have been guests of Henry Chichele, the Archbishop of Canterbury, at his palace in Palace St. The other nobles and advisers would have been guests at the monastery. And the servants would have stayed at the Eastridge Hospital with the pilgrims and slept on the hay with the fleas...
The font I am using below is called Barlols-Random, and is a Gothic font from urbanfont.com I hope parallels the hand written original. But it may not show in your browser. It may default to Times Roman.
Gloria post toto sunt repetenda choro. •
Dominie* ferial. feriaS. feria4. feriaJ.
tem,u late til- min, date nomen Domini neJiclta
Can Jubi Con Lau Be
ferla 6.
ate Dominum de calls (m,l cor mcum ix Dominn. .
Laud Exul in ordine psalle.
fnuo Trioitati dietui Deul ia Fatrl Tlrtns bi lani Sum Bene Quis Glor Honor Ti •\
eam,u Fatrem. (Patrem)
I Benedi dabis his.
Pose missam celebre memoratur Trinus et Unus ;
Cum versu, " Tibi laus," 0. repetenda patet.
Versiculo dat Collectam celebrando sacerdos ;
Ascendit Christus, Sumpta Maria tenet.
Hie vir despiciens memor est tibi, Sancte Georgi !
His sunt versiculi cum prece more pan'. (pari)
Post Complementum, divinorum memores sex
Hi sunt sollennes, quos numerare potes. {
nitau ritus Sanctos Edwardnt Johannes Baptiata
Tri Spi Rex Pneco
3ancttu Georsia! Saacta Maria
Miles Regina beata {
bera no* nl Sanete Spirittu Itex Dentil ste. lsr natoa
Li Ve Confer ave, jungis In ]
r-tt vere martyr ad placitum chorl. .
Hie Placet hsec.
CAPITULUM XVIII. — DE KEGRESSU IMPERATORIS AD
CALESIAM PER DOVORIAM; ET DE CEDULIS IN PLA-
TEIS ET VICIS PER SUOS DIMISSIS, AD LAUDEM
ANGLORUM.
Post nova scripta data, post laudes inde relatas,
Dovoriam petiit Induperator iter.
Sparserunt equites per vicos atque plateas
Hsec laudum scripta, mente notanda piis. — "
Vale et gaude, glorioso cum triumpho, O tu felix
Anglia, et benedicta, "
Quia, quasi angelica natura, gloriosa laude Jesum
adorans, es jure dicta. "
Hanc tibi do laudem quam recto jure mereris."
(u=n - stant) Proses with psalms, versicles & responses 'as set', the Gloria after all of them sung chorally. The Lords Day(Sunday), and four days Ferial days (Psalm modes i-viii not melismatic "ferial" not festal use) (J=d) Contionem=contilumin
The songs of the assembly/conference rejoice, praise and bless the name of the Lord.
On the 6th ferial day..
Laudate Dominum (Ps 117) the clever/elaborate way (ie melismatic), my favourite (cor mecum) (Amazing to know the chant he is talking about. It is lovely music. Not just a Psalm tone.)
Afterwards a Mass commemorating the Three in One, with verses "Tibi Laus" ... repeated and extended. Versicles given the Collect by the celebrating priest.
Ascendit Christus, Assunpta Maria in tenor- this monk knows technicalities of music (Motets by Dunstable.)
At this time (here/now) men look upon and remember you. St George. (Archbishop had just made him patron saint of England in time for Agincourt 1415) Here are versicles and prayers composed for his death.
Afterwards Compline, six remembrances of the divine, here ingenious, here rhythmically and /melodically effective (and he demonstrates the hocketing and sharing of a melodic line)
Libera Nos = Chant for Trinity Veni sancte Spritus - major work by Dunstable using text by Stephen Langton Cryptic - Was woven / plaited by Dunstable (Dsntil)
Domine Iesu Christ, qui me creasti, redemisti, et praeordinasti ad hoc quod sum: tu scis quid de me facere vis: fac de me secundum voluntatem tuam, cum misericordia. Amen., it's nearly impossible to eradicate the lovely strains of Henry George Ley, who set the text to music. You can hear a portion of it here (opens in Windows Media Player or Apple Quicktime) Written in Latin by King Henry VI, the English translation** is this:
Lord Jesus Christ, who hast created me, redeemed me, and brought me hither to that which I am: Thou knowest what Thou wouldst do with me: Do with me according to Thy will, with mercy.
This is not a case of predestination as argued on AnglicanOnline, its a case of trust in and total acceptance of God, Self and the World.. Its OK to pass on...
AMBROSE on holiday at Pahi photographed by Aunty Maggie.. I think this shows his blind eye clearly. Its detached retina is not reflecting light. Await puppy photos being scanned. And below, Henry, 14 mths, has just arrived to live with Aunty Maggie... Ambrose and Peter both had the Easter Bunny to murder. (Update - Henry goes back to his breeder to be with his half brother. Didn't work out. God bless ! )
THE MIRACLE OF MODERN SURGERY- see below..
Bionic Woman back on organ....
Since I first posted this comment, I have discovered a rash of internet searches from all over the world (USA, Europe, Third World, Asia..) in, bringing up the issue of tendon transfers and arm/hand anatomy. Obviously either patients like me seeking solace, or medical students. Yes, I note a rush of interest at the beginning of the northern academic year. Anatomy 101 of the upper extremities. So I am tightening up the history, as ever a teacher ! And of late I have discovered that I am a "known patient" at MCS - a difficult case they all seem to have an interest in !!
Below are the three tendon transfers made on my paw in November 2006, after the removal of neural fibroma aka Aggressive Fibromatosis about the posterior interosseus nerve, in 2005 along with radial nerve and supinator muscle, all of which took about 10-15 years to reach a point of diagnosis. I will never forget the grateful feeling of relief post-op (possibly silly on morphine) that the exhausting pressure of the tumour (2cm x 3cm x 2cm) on the radial nerve was over. This, even when the Superficial Sensory Radial Nerve was giving me hell that morphine could not touch. Months of physio followed, preparing muscle for new function before the tendon transfers about a year later.
I think the first tendon transfer pic should show FCU linked to EDC.and the second pic should go to FDS to EPL not the Abductor - but its the general idea. There are all sorts of possibilities I have lived a whole life without one Palmaris Longus and this was just discovered by the surgeon who had planned to use it. OK, plan B ... A pity that I went to theatre longing to be put to sleep after a disturbed night on the ward. I had the offer of watching all this under local anaesthetic. But it would have required keeping totally still for three hours as Tim worked under a microscope weaving all together. Eight weeks of staged physio followed after emerging from the cricket bat cast. Patience, patience.....And yet more physio... still two years on.
However, it was not a blinding success due in part to the heavy radiation pre-op on the tumour in the arm. Too much scar tissue. The wrist is still dropped after PT to ECRB. This is about to be re-worked tenolysis as the tendons are apparently caught in scar tissue and will not slide as they ought. Even electrical stimulation by the physio could not budge them. And the thumb will not extend as it ought though it is slowly gaining.. That will be dealt to last of all. Debatable. Great improvements have been made in articulation of the arm with the recent removal of the radial head, jammed with defomity of ligaments, and an old healed crack. 15 degrees of pronation and supination have now become 65 degrees or so out of possible 90. Next step is tenolysis - depending upon a round table consultation with other consultants..
Friday 6 June 09 . (AHA - we have had the consultation complete with Powerpoint Presentation. Consensus is that the tendon transfer has come apart in the arm. Pronator Teres is floating unattached under another muscle and the tendon from ECRB is lost somewhere. MRI #3 coming up, and exploratory surgey...)
Monday 8 Sept 09. TODAY THE RESULTS OF MRI #3 - Another Aggressive Fibromatosis tumour a bit further/half way down the radius, right against the bone, compromising the tendon transfer ECRB-PT. Must be 10cm long. No surgery allowed as it will make things worse. No more radiation - 50gy maxed out. See Gary French in November, and will probably be faced with Gleevec chemo. ugh.. But I see there are herbal possibilities - eg " Pau d'arco" whatever that is. WATCH THIS SPACE. I have registered now as a patient on www.dtrf.org (Desmoid Tumour Research Foundation) and joined a couple of support groups.. These are the worst tumours - lawless and aggressive and very rare (3: 1,000,000pa) and little understood. I wonder if Gary has kept my block?
Tuesday 18 November 09 - Meet Gary at Manukau Super Clinic - > Oncologogy -> Chemo BUT - I am already on Pau d'arco tabs, (reputed to reduce tumours) and have saliva on the way to Canterbury for hormone testing, as I want to be well prepared for this meeting. Chemo is likely one year on Gleevec..... Below are articles and sites or relevance so far. TBD and CancerCompass are support groups with all sorts of shared info. Tues 18 Nov... GOOD NEWS! GOOD NEWS! GOOD NEWS! .... I don't have to have chemo. The mass is hard scar tissue indistinguishable from tumour by MRI .... Case of too many cooks/surgeons. Carry on with Pau d'acro and hormone. DTRF can possibly have some tissue for research as the tumour is kept at Middlemore. Another check next year ! Disease is dormant as a result of heavy radiation and surgery. I'VE BEATEN THE ODDS SO FAR !
http://www.tbd.com/group/1030/discussion/309499/show
http://www.cancercompass.com/message-board/message/single,2686,13.htm
http://jjco.oxfordjournals.org/cgi/content/full/34/8/472
http://annonc.oxfordjournals.org/cgi/content/full/14/2/181
http://www.paudarco.org/
_______________________________________________________________________
Since loading the pipe organ progress, yes I am playing Bach again, including some diploma music, over two years after the first surgery, but plenty of repertoire is lost forever simply because of the configuration of the left hand part - even basic hymn tunes. I got back on the organ six months after transfers. Luckily the left hand is only one of four limbs used by organists. Each time I play there are minute improvements, and I look forward to playing one day soon without the dropped wrist. (Sorry that aint gonna happen now!) What I am delightfully discovering is new music that I now have to learn. Even Bach has undiscovered gems - his dark, brooding chorale prelude on the German Our Father is a recent discovery. And a salutory lesson indeed... some works have IMPROVED with the demands of physical effort, concentration, care and new insight. I can cope with about an hour of playing now, and soon will explore Theodore Dubois' Sortie Toccata. ANY Toccatas after tendon transfers are just miracles.... But as a member of our congregation said - it's ALL a miracle. I remain on the intercession list. (ER.... SEE ABOVE....)
So, if you are reading this as a patient anxious about the future, do take heart. Yes, I have been lucky and have had some wonderful surgeons, leaders in their fields who may not be matched in some of the places visiting this site. But tendon transfers have been done for over fifty years now. And I know I am demanding more finesse of my paw than most patients. You will find new meaning in "patience".
And now named credits are due with gratitude: Dr Michael Lockwood, my GP (now departed for an IRISH VILLAGE to be Doc Martin as it were), Gary French FRACS (orthopaedic oncology), Tim Tasman-Jones FRACS (hand surgeon and painter ), Alieke van Middelaar (Head of Physio) and Margaret Chiaroni NZRN (Parish Nurse), Graeme Stevens (radiologist) and latterly Wolfgang Heiss-Dunlop MD FRACS (Hand surgeon)
I list here some of the JS Bach works that I can now resume playing: The Great Prelude & Fugue in C min (BWV 546 - a big work with effort), about half of Orgelbuchlein, Five part Fantasia in C minor, selected movements of Sei Gregrusset, and more to be listed. Of course there are other composers... Reger.. perhaps Franck..Pachelbel, Buxtehude - I have played some of theirs too.
Sarah in Cambridge is awaiting an MP3 of me back on Bach at the organ. ! Will try ! It will look silly for sure but should sound OK in time if I can differentiate 4-5 fingers. And the Parish Nurse deserves a fundraiser recital. I am getting used to life without debilitating Radial Tunnel Syndrome - aka misdiagnosed Tennis Elbow for fifteen years.
AMAZING WHAT BEING ONE-HANDED DOES !
I am exploring Kandinsky, (Ravine above) an early 20th century musician/painter. In the early 80s when I first went back to painting I tried Expressionism and it was not me then. I had to explore landscape.
Now I am being pushed and stressed ... though I am being very coo...ool about my disability ( temporary I pray-. robbed of organ playing - but not conducting)
I have been on the edge of something new for a while,dissatisfied by what I have done. A couple of years back I tried making images of Taveners music - small scale music works that were visualisations of analysis of the music. Not a success.
I have now decided that there is NO connection between Fine Art and Classic or Fine Music despite the apparent parallels in elements which most seem to misconstrue anyway, and some philosophical / aesthetic parallels in periods of history. (Michael Smither please note). Kandinsky, Scriabin, Schoenberg and friends all thought there was a connection, and got into some very wacky ideas which went nowhere, like "colour keyboards". NO. They are separate arts. We know a bit more about physics nowadays. The colour spectrum bears no relation to Pitch and Melody. It is closer to timbre which can be visualised electronically with the oscilloscope. (But what a bald sight on screen - nothing aesthetic).
Fine Art exists within SPACE, depending upon the eye, and Classic Music within evanescent TIME, and depends upon the ear - but also Memory. I agree with Kandinsky that music is the higher art, closer to the evanescent mind and presence of the Creator and the mathematical harmony of the Universe and whatever abstruse logic holds it all together.
All that these arts have in common is the HUMAN SOUL within the artist and the recipient. So the artist is led back to abstraction, to the mind-place where Alpha rhythms take over - the same place of religious Contemplation, where you also visit when classical music-making crosses over from cerebral intention to interior communication. That rare place is the common ground.
I am not sure where all this will lead, but for the moment I take Kandinsky as a starting point. I just hope I do not end up with stark works like his later ones !
| FINE ART | CLASSIC MUSIC |
| Pallette (spectrum) | Timbre |
| Intensity | Dynamics |
| Perspective/dimension | Tonality/modality |
| Texture | Texture - harm / cpt |
| Line | Melody(subdivides) |
| " | ....pitch and range |
| " | .....duration of notes |
| Pattern / design | Form (binary etc) |
| Rhythm | Rhythm |
| Stasis / speed | Tempo |
| Composition | Unification devices |
| Medium | Enesmble medium |
I suspect that whatever one creates in this time-space it cannot be fully original and will just be yet another Variation upon a Theme... We are humanly incapable of prime Creation - even such as JSB !
It means getting in touch with the interior artist long clobbered by necessity, common sense and other peoples opinions. Claiming freedom for oneself. A painful process.
Brainwave - Mr Drawbridge's scribble patterns! He was my first art teacher at 6-7 years ! Bingo!
Watch this space!
